Brigite Bardot - the seviest woman in the world died 28 December 2025 Will be missed by school boys the world over.

Bardot has died aged 91

I managed to photograph some of BB’s 39th birthday party whilst I was in Paris.
She was stunning ….

From The Guardian Today 28 December 2025:
Brigitte Bardot, the French actor and singer who became an international sex symbol before turning her back on the film industry to become an animal rights activist, has died aged 91.

“The Brigitte Bardot foundation announces with immense sadness the death of its founder and president, Madame Brigitte Bardot, a world-renowned actress and singer, who chose to abandon her prestigious career to dedicate her life and energy to animal welfare and her foundation,” it said in a statement sent to Agence France-Presse on Sunday, without specifying the time or place of death.

Bardot shot to international fame with the 1956 film And God Created Woman, written and directed by her then-husband Roger Vadim, and for the next two decades embodied the idea of the archetypal “sex kitten”. In the early 1970s, however, she announced her retirement from acting and became increasingly active politically. Her outspoken support of animal rights evolved into incendiary comments about ethnic minorities and open support for France’s far-right Front National, resulting in a string of convictions for racial hatred.

Born in 1934 in Paris, Bardot grew up in a prosperous, traditional Catholic family but excelled enough as a dancer to be allowed to study ballet, gaining a place at the prestigious Conservatoire de Paris. At the same time she found work as a model, appearing on the cover of Elle in 1950 while still 15. As a result of her modelling work, she was offered film roles; at one audition she met Vadim, whom she would marry in 1952, after she turned 18. Bardot was cast in small roles, with increasing prominence; she played Dirk Bogarde’s love interest in Doctor at Sea, a big hit in the UK in 1955.

But it was Vadim’s And God Created Woman, in which Bardot played an uninhibited teenager in Saint-Tropez, that consolidated her image and turned her into an international icon. The film was a huge hit in France, as well as internationally, and catapulted Bardot into the front rank of French screen performers.

So, who’s the client ?

Read more: So, who’s the client ?

So who is the client on a shoot ?
Well ultimately I suppose it is the guy who pays the invoice.
But that is too simple a way of looking at what can be a very confused dynamic..

Let’s take the tough example of photographing Peaches VanDoren – it’s a spread for a glossy ladies fashion mag.
Peaches is being offered a silly sum of money to wear some clothes by a High Street chain store and the shoot is to be done at a trendy nightclub in London.
Let’s see who the interested parties are:
Your client – probably the magazine who will have sent their art director; he/she has a layout already in mind, can visualise the pix in their head before a light has been turned on
Her agent, will turn up and warn you, ‘sotto-voce’, that as Peaches is secretly three months pregnant, under no circumstances can you photograph her from the side.
Peaches probably has a public relations person as well and the stuff they can come out with will make your ears bleed !
Then the fashion house people will appear – mob handed probably with arms full of coat hangers. They will have a LOT to say about what the picture should look like. One of their fitters will almost certainly notice that the clothes are a size 10 and that Peaches now appears to be a size 12.
The club owner, who is related to a mafia boss, will waft in with a tray of drinks and mention to you, just in passing of course, that he wants his place to look “good”. He infers that if you succeed in visually promoting his business he will look fondly upon you and bless your house ; he doesn’t mention that if you don’t succeed you may need private health care.
Make-up and wardrobe will waft in, fragrant, noisy and invariably bitchy.
They will invariably duck into a shot just as you think it’s about to ‘happen’, and tweak hair or apply an extra layer of blusher
Don’t imagine that they will keep their opinions to themselves either.
Peaches, if you’re lucky, will only be an hour or two late, but totally ignoring her tardiness will launch into complaining about whatever comes into her mind.
You, meanwhile, are immediately struck by how much much better she looks in her pictures than she does in real life !
She will probably ignore you and chat loudly with her agent and make demands of everyone around her.
Tea, earl grey, lemon, china cup, blah blah whatever – If you are new to this you will look on in open mouthed amazement.
There are probably a dozen people in the location now plus you and your assistants(s)
If you think you’re going to have any input into this shoot you have to start making an impression pretty damn soon.
Making your assistants scurry around with lights and shouting a lot is one approach – can be fun but your assistants will hate you and you need friends on your side.

(Be aware though; assistants are wannabe photographers and some are quite capable of undermining you in the hope of stealing your clients !!  It’s brutal, so watch out for that.)
Do you have friends here ?
People with whom you already have a working rapport ?
If so keep them close.

So who are you going to listen to ?
So many choices eh !
It would be easy to say “the person who is paying your bill”, but it’s rarely that simple.
The dynamic of a shoot is complicated.
So what have we got to consider here ?
If you have never worked with Peaches before you have to get her agent on side first as she knows Peaches and how to handle her.
Which buttons she has to push to get her on side.
If you want Peaches to smile rather than scowl it’s best to say to her agent that it maybe better to “lighten the mood” with this outfit and portray a happier vibe.
Chances are Peaches will have very defined ideas of how she should look and what she should wear and will make a big production of telling everyone.
But at the end of the day it’s down to the chemistry you can generate between you and Peaches.
Charm and chat, whilst ensuring the products look good too.

It’s not just about you being the best photographer in the world – it’s more about managing people.
Build relationships – know who is who and what value the are to the shoot.
Watch out for problems that are occurring or are likely to occur.
Tensions runs high and you’re in the firing line.
It’s important to know what the magazine folk are expecting from the shoot.
What the Fashion House wants to gain from this expensive location shoot.
The location and club owner are low on the list of priorities, as are the make-up and hair stylists.
Agents and PR people contribute little in this environment but they are useful allies.
Peaches ? well at the end of the day she is just an expensive clothes rail, but her face and figure are possibly world famous and these pix are going to be good for your career.

So be nice, even if you are gritting your teeth.
Good luck – it’s a jungle out there.

Who’s the client ?

Continue reading …: Who’s the client ?

So who is the client on a shoot ?
Well ultimately I suppose it is the guy who pays the invoice.
But that is too simple a way of looking at what can be a very confused dynamic..

Let’s take the tough example of photographing Peaches VanDoren – it’s a spread for a glossy ladies fashion mag.
Peaches is being offered a silly sum of money to wear some clothes by a High Street chain store and the shoot is to be done at a trendy nightclub in London.
Let’s see who the interested parties are:
Your client – probably the magazine who will have sent their art director; he/she has a layout already in mind, can visualise the pix in their head before a light has been turned on
Her agent, will turn up and warn you, ‘sotto-voce’, that as Peaches is secretly three months pregnant, under no circumstances can you photograph her from the side.
Peaches probably has a public relations person as well and the stuff they can come out with will make your ears bleed !
Then the fashion house people will appear – mob handed probably with arms full of coat hangers. They will have a LOT to say about what the picture should look like. One of their fitters will almost certainly notice that the clothes are a size 10 and that Peaches now appears to be a size 12.
The club owner, who is related to a mafia boss, will waft in with a tray of drinks and mention to you, just in passing of course, that he wants his place to look “good”. He infers that if you succeed in visually promoting his business he will look fondly upon you and bless your house ; he doesn’t mention that if you don’t succeed you may need private health care.
Make-up and wardrobe will waft in, fragrant, noisy and invariably bitchy.
They will invariably duck into a shot just as you think it’s about to ‘happen’, and tweak hair or apply an extra layer of blusher
Don’t imagine that they will keep their opinions to themselves either.
Peaches, if you’re lucky, will only be an hour or two late, but totally ignoring her tardiness will launch into complaining about whatever comes into her mind.
You, meanwhile, are immediately struck by how much much better she looks in her pictures than she does in real life !
She will probably ignore you and chat loudly with her agent and make demands of everyone around her.
Tea, earl grey, lemon, china cup, blah blah whatever – If you are new to this you will look on in open mouthed amazement.
There are probably a dozen people in the location now plus you and your assistants(s)
If you think you’re going to have any input into this shoot you have to start making an impression pretty damn soon.
Making your assistants scurry around with lights and shouting a lot is one approach – can be fun but your assistants will hate you and you need friends on your side.

(Be aware though; assistants are wannabe photographers and some are quite capable of undermining you in the hope of stealing your clients !!  It’s brutal, so watch out for that.)
Do you have friends here ?
People with whom you already have a working rapport ?
If so keep them close.

So who are you going to listen to ?
So many choices eh !
It would be easy to say “the person who is paying your bill”, but it’s rarely that simple.
The dynamic of a shoot is complicated.
So what have we got to consider here ?
If you have never worked with Peaches before you have to get her agent on side first as she knows Peaches and how to handle her.
Which buttons she has to push to get her on side.
If you want Peaches to smile rather than scowl it’s best to say to her agent that it maybe better to “lighten the mood” with this outfit and portray a happier vibe.
Chances are Peaches will have very defined ideas of how she should look and what she should wear and will make a big production of telling everyone.
But at the end of the day it’s down to the chemistry you can generate between you and Peaches.
Charm and chat, whilst ensuring the products look good too.

It’s not just about you being the best photographer in the world – it’s more about managing people.
Build relationships – know who is who and what value the are to the shoot.
Watch out for problems that are occurring or are likely to occur.
Tensions runs high and you’re in the firing line.
It’s important to know what the magazine folk are expecting from the shoot.
What the Fashion House wants to gain from this expensive location shoot.
The location and club owner are low on the list of priorities, as are the make-up and hair stylists.
Agents and PR people contribute little in this environment but they are useful allies.
Peaches ? well at the end of the day she is just an expensive clothes rail, but her face and figure are possibly world famous and these pix are going to be good for your career.

So be nice, even if you are gritting your teeth.
Good luck – it’s a jungle out there.

Been a looong time

I’d completely forgotten my WordPress site.

Continue reading …: Been a looong time


Now I no longer have a web site to maintain I thought I wouldn’t need to worry about HTML any more.
Until I needed to show my family some pictures from our latest gathering, then I realised I had nowhere to put them that would be accessible to everyone.
Looked at buying soem web space and a domain name etc etc but not only was it all a bit of a hassle it was going to incur quite a few financial charges.
Then I remembered !
Dear old WordPress
Of course I’d forgotten how to do it in the intervening years but thanks to the friendly AI help available he/she/it guided me through it without losing patience with me once.
It still wasn’t easy and I had to engage some misplaced neurones.

But it works !!!
Really should buy that Ai a drink.

Thank you WordPress Ai – I owe you.

Preparing for a location shoot

Continue reading …: Preparing for a location shoot

Most of the work I do nowadays is in my studio, a cosy sanctuary of all my kit and a decent amount of space for my clients products.
I have over the last year improved my client facilities and now I have a proper kitchen and a proper toilet (this time with its own door !)
However, once or twice a year I have a location assignment and I need to gather all the essential equipment that I will need.
Photography has changed so much in the last ten years and now there is a requirement for video as well and this brings with it its own set of equipment demands.
I light my set-ups now almost exclusively with continuous lighting and my Elinchrom flash heads are gathering dust. So I am laying out 4 lights; 2 x LED panels (approx 100 W each) and 2 x 150 W COB spots). These supply a good amount of light especially in a location where I will be relying on a decent amount of daylight to give me the main direction for the lighting, plus I have enough power available to overwhelm the ambient light should I need it.
I have more lights available but I really don’t want to complicate matters too much and as I work with children on set I do not want too many wires adding to trip hazards for the little darlings. I like to tape down as many floor cables as possible – kids can be unpredictable. ( That reminds me : pack 2 rolls of Gaffer Tape).
On location I am basically a one man band; gone are the days when I would have an official assistant on hand, and hiring in a trained assistant for a one day shoot is not viable – believe me I’ve been there ! Not the assistants fault of course but hiring in someone who doesn’t know you or you gear or the clients or the products is just not sensible. Instead I am using a simple ‘gofer’, one of the clients team who has been assigned to me for the day. I already know her and she’s great. Willing and able and happy to follow simple instructions and help shift lights and crap from one location to the next. I’ll deal with ALL the technology.
So today, I laying all the kit I expect to use on the studio floor: not packed away, everything visible so I can look at it from time to time and see if there’s anything missing.
If I was doing location shoots every week I’d have a properly drawn up kit list , itemising EVERY little thing. But I’m not so I go through this soul searching and brain wracking every time.
Small screwdrivers, gaffer tape, pliers, clamps (lots), diffusion material, Blu Tac, video head, 2 tripods, knife (sharp), spare camera cards, spare camera, batteries, chargers, remotes, lens cloth, audio gear (radio mics etc.) …. the list goes on,
and on
and on

The camera is the easiest bit.
Having said all that I love the excitement of a location shoot.
It is stressful but it’s a great challenge.
The very very worst part though is getting to the location !
This time it’s in south east London and I live in south west London.
Eighteen miles. 20 minutes in the Ferrari .
I’m allowing 2 hours.
Will let you know how it goes…

Equipment – Photo Jacket from Paramo

Continue reading …: Equipment – Photo Jacket from Paramo

IMG_6878As many of you know I headed off to the
“Visa pour L’image”
festival of photo-journalism in Perpignan this year.
It’s something I’ve been promising myself for quite some time – a chance to catch up with some old colleagues and share a yarn or two (some of them with a basis in fact).
Another thing I’ve been meaning to treat myself to has been a photography jacket and this was a good opportunity to combine the two.
(What follows should be in my section on Equipment Reviews but I can’t remember how to do that.)
IMG_6810
After a bit of research and due to the fact that I had seen a Halcon Traveler Jacket at a photo show I bought this model online.
It’s made by Paramo, which is a British company with a good record for designing practical, hard wearing outdoor clothing.

It is expensive at £130, especially when you compare it with other products available but this is a quality product and backed by a reputable company.

(It had better be – ‘cos I have a bone to pick with them when I get home, but more of that later).
Ordered it directly from Paramo themselves and delivery was within two days.
I ordered the grey rather than the army green as I feel there is always a bit of a danger looking too “militaristic” in a conflict area – besides it matches my hair.
Had a couple of days to try it out in the calm of Surrey before heading off to France and found it was a good fit except the sleeves are too long by a couple of inches.
You may say that is because of a fault in my design rather than Paramo’s and you may be right but I did think the sleeves were unnaturally long.
I have worn the sleeves rolled up ever since I got it.
Body fit – Size L was spot on.
Materials used throughout appear to be first class and you can tell it is made to last.
Of course the main thing about a jacket like this is storage space.
IMG_6769
Well, there is certainly a lot of that, and it has been well thought out.
There are four large external pouch pockets (with two popper fasteners per pocket) – any of which would hold a lens, but my favourites are the inside ones and the zipped units.
At chest level are four zipped pockets, vast capacious things for maps, documents, passport, valuables, lenses, if you want.

A "selfie" with Halcon Traveler jacket. Perpignan

A “selfie” with Halcon Traveler jacket. Perpignan

Also on the inside are two below waist pockets, one each side, with elastic tops – this was where
I in fact carried my other lenses and they were just fine.
As you may imagine if you start putting lenses in your pockets the jacket is going to “balloon” out a bit but Paramo have considered this and built a rear bum flap that can be released with poppers to allow the jacket a bit more freedom of movement.
There is also an elasticated draw string which I discovered a week later that cinches the waist in for a trimmer appearance. This drawstring is hiding in two further pockets which I simple hadn’t noticed up until then – on any other jacket you’d probably call them hand warmer pockets and they are below waist and behind the two bottom pouch pockets.
Frankly you can get so much gear in this array of pockets you may not have to take a suitcase !
And with the way some airlines charge for excess weight you can safely stick all your heavy stuff in there and keep your cases light.
The jacket boasts that due to its unique design it distributes the weight evenly across the shoulders – well I found that more of a marketing idea than a real benefit but I can’t fault them for trying.
So after three weeks what do I think.
Yes, this is a good jacket.
It could be even better by making the sleeves zip-in and removeable and perhaps have some ventilation built into the sides, also via zips. Remember I have been in the South of France where temperatures haven’t dropped much below 24 and were frequently much higher, so I have a particular viewpoint on temperature management.
It is not waterproof and makes no claim to be.
If it were, it would be much hotter to wear.
On the occasion when it did rain here (tipped down) I put a poncho over the top.
I’m not convinced by the poppers to close off the pockets.
I found myself on a couple of occasions fiddling one handed trying to align them to secure the pocket. … Personally I’m a velcro fan.
I’m not sure about the collar.

Paramo Halcon Traveler Jacket collar

Paramo Halcon Traveler Jacket collar

It has a nice soft lining so nothing chafes the skin but it is neither a stand up nor a sit down sort of thing. Seems to have no function that I can see.
If perhaps it had a rain hood built into it that may be handy, but as the jacket itself is not weatherproof that may just be silly.
Biggest problem I’ve had, (apart from the one I’m coming to …),  is there are so many pockets I keep losing things.
I just can’t remember which of the 12 cubby holes I’ve put something into.
Once again you can put that down to operator error and I can’t really blame Paramo for designing such an accommodating equipment hotel, but on occasion I have actually sworn at the jacket and tried to pass the blame onto it for hiding my stuff.
This is not a winter jacket and you need to remember that if you’re off to the Balkans.
You will need clothing underneath or over the top if you want to be warm.
And if you want to be dry … well that’s another problem.
This is not an all weather jacket, doesn’t pretend to be, so don’t get confused into thinking it maybe.
We are all looking for that perfect jacket that we can wear to a war zone or a wedding and hold all our gear but let’s face it, it doesn’t exist.
For all round practicality though this takes quite a bit of beating – if you have £130 handy.

Except ….For me the only real problem, and I’m sure it’s a one off and won’t happen to you, is the main zip.
IMG_7059 IMG_7060

 

 

 

 

 

 

 

The double toggled zip that closes the jacket.
It doesn’t work.
It’s a zip fault.
It wont engage.
Sometimes it won’t disengage.
I’ve spent frantic minutes aligning the ends and further minutes tugging at the thing – I’ve just about given up.
Yesterday I wanted the jacket closed as I really didn’t want anything flapping around.
(Bull running in the streets of Arles – another story)
So that night after managing to get the zip to engage it wouldn’t come undone so I had to unload my pockets of gear in a restaurant and take the jacket off over my head – very chic.
The problem was never apparent earlier as the weather was so warm I left the jacket open to allow air through just about all the time.
First thing I do on getting back to the UK is give Paramo a friendly call.

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Thoughts from the “Visa pour l’image” Photo conference in Perpignan France

Continue reading …: Thoughts from the “Visa pour l’image” Photo conference in Perpignan France

Seen a lot of good photo-reportage here but frankly it all pales to an insignificant blur faced with the latest picture story to arrive in our newspapers.

This is truly a PICTURE story – not many pix and they have been heavily edited, but what there is carries the story without further need for words.
(News is transient though and in two months we won’t even remember this story unless people act upon it.)

Continue reading